Kunio-kun is a famous series developed by Technos Japan and it was their mascot in Japan. Despite the first game was a beat’em up, soon Technos used the characters for games in other kind of genres, even puzzle games. The most well known Kunio-kun spin off were those concerning sport games ( dodge ball, beach volley, football, basket, hockey, baseball ), always presented through Kunio-kun crazy and not-so-serious atmosphere the series is known for.

Yoshihisa Kishimoto, one of the main men behind Kunio-kun, revealed on his site how a polo (?) game starring Kunio for Super famicom was in a preliminary phase in early ’90. As expected by the series tone, horses were replaced by other kind of animals ( even pigs !). Unfortunately it seems the game never went into production and soon after ( 1996 to be exact ) the japanese developer declared bankruptcy.

Many thanks to Johnny Undaunted.

Images (Concept arts):

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Reactor is a cancelled project in development by Argonaut Software for SNES in 1991. Contrary to other 3D productions Argonaut got famous for on SNES and GB (think Star Fox on SNES or Hard Drivin on Game Boy)  this game was an isometric 2D shooter with a futuristic setting. Reactor was never released for unknown reason however Howard Phillips found a prototype of it in his archive and shared some photos with the community.

Images:

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As we can read on Wikipedia, Pitfall: The Mayan Adventure is a 1994 videogame developed and published by Activision in partnership with Redline Games. It was first released for the Super Nintendo Entertainment System, Sega Mega Drive (Sega Genesis) and Mega-CD (Sega CD) in 1994, followed by releases for the Sega 32X, Atari Jaguar, and PC the following year. Hallfiry on Betaarchive forums found some images from a beta version, if you want to write a list of all the differences, leave a message below! :D

Thanks to Stephen Reed for the contribution

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Monster Truck Wars is a cancelled racing game that was in development for the Super Nintendo and it would have been published by Acclaim. A GameBoy and Game Gear versions of the game were released in 1994 and 1995, but they were different from the SNES version, that used “Mode 7″ graphic similar to F-Zero. While the graphic of the game looked good for a 16 bit console, the project was never released for unknown reasons.

Some screens of the game were  found by Celine in Banzzai magazine issue #23 and Super Power issue #22.

Images:

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Pinkie is a 2D platform game developed by Data Design Systems and published for Amiga in 1995. It seems that a port of this game was in development for the Super Nintendo but never completed for various reasons. Thanks to an anonymous contributor a playable version of Pinkie SNES was leaked and can be preserved, you can download it from here.

This is a developer build and has various debugging features turned on, such as the controller Select button will allow you teleport the character anywhere in a level and the map screen automatically unlocks the next level without you needing to complete the previous level. There’s lots of other bits in there as well – along with various parts that are completely broken such as the level exit effect which will cause the game to lose frames and never properly recover.

It works on the current batch of SNES emulators if you want to take a look.

Images:

Video:

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Demon’s Crest is a 2D action game developed by Capcom and originally published in 1994 for the Super Nintendo. As we can read on Wikipedia, this is the 3° game starring Firebrand (an enemy character from the Ghosts ‘n Goblins series), following Gargoyle’s Quest and Gargoyle’s Quest II. Thanks to Casey Strange we were able to note some minor beta differences in the some screens published in old magazines.

In the screenshot the earth gargoyle has a slightly different sprite. The color is a bit darker but it could be because of the magazine. The enemies in the first beta level were different as seen in this preview video of a sample Demon’s Crest demo for retailers.

There were two Demon’s Crest prototype sample cards on eBay and one japanese beta version was leaked some time ago, you can find the download in this nice anonymous Tumblr, thanks to Casey for the share! This ROM dump of the Japanese sample / beta game looks more like the final game compared to the video, but maybe with the help of our friends at TCRF it would be possible to find some interesting unused stuff hidden in the beta code.

In this beta you start the game with all 5 talismans and four of the crests. This is different compared to the final version. The game stops after the second battle with Arma in stage four and you are greeted with this screen.

Armageddon Potato noted:

After doing some comparisons there is a large chunk of blank data in the retail rom at the very begining (which was also dumped by a SUPERUFO apparently as it’s tagged in the header.) After that the prototype is indentical the final minus the size differences. I wouldn’t expect any changes in the prototype then. […]

I landed up getting a cleaner rom rip. One without the SUPERUFO header which may have been causing the blank space problem(since that makes no sense!) It does appear to have some differences, although they may be possibly minor. Once I get some solid free time I’m going to have to play though both the retail game, and the prototype. I need to know exactly where the game lock you from the later levels in the prototype, and possibly pictures/screenshots of where this happens.

If you notice more beta differences from Demon’s Crest, let us know in the comments below!

Thanks to Casey Strange and MicroChirp for the contributions!

Images:

 

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Brimstone is a SNES JRPG that Teknocrest, an american software house, was working on in 1994 on Taito’s behalf. The same programmer that developed Farstar and the genesis / megadrive version of Lufia, both of which were also cancelled, wrote about this lost game in a opa-ages thread:

Yeah it was basically another RPG that Teknocrest “promised” to make for Taito.

Funny thing is they had all this artwork, but no programmer. So I was hired to make a SNES “demo” of Brimstone.

Anyways I made something up in about a week, and Taito greenlighted the project.

But about a month later they decided to put Brimstone on hold and put priority on porting Lufia….and it all went downhill from there…

Fortunately, some of the aforementioned artworks were preserved by the project’s lead artist, Arnold Ayala. We can see them in the gallery below or in his portfolio.

Images:

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Most people know of Star Fox and it is a fan favourite among the Nintendo faithful and other gamers alike. What many don’t know is how this game was created, and the story all started with an independent British games developer called Argonaut Games. Argonaut Games was founded in 1982 by a sixteen year old Jez San, this young developer had gained an interest in computing at an early age and had taught himself Assembly language by the age of thirteen. He started developing his first game, Skyline Attack for the Commodore 64 in 1984 he also became a Wizard (Admin) for Essex MUD which is reported to be the world’s first MMO.

The company finally started to make money and have the ability to hire other staff in 1986 after the release of Starglider which is classed as one of the first highly popular 3D games and was released for the Atari ST and the Commodore Amiga.

Argonaut Games managed to successfully design 3D models for the NES and the Gameboy and they were the first developers to do so, this led to Nintendo signing a deal with Argonaut Games. What they had done to pique the interest of Nintendo, Jez said “They had the Nintendo logo drop down from the top of the screen, and when it hit the middle the boot loader would check to see if it was in the right place.” Nintendo had made their games so that they would only boot if “Nintendo” dropped down to the correct place on the screen. Argonaut had engineered this so that they could drop down any word, but with a resistor and a capacitor installed Argonaut could make the game think that it had read the word Nintendo and successfully boot this basically circumvented Nintendo’s copyright protection.

Now this is where NesGlider finally comes in, Jez and Argonaut games had a working prototype of the game running on the NES console. NesGlider was just a placeholder name and it came about due to the fact the game was similar to their StarGlider game and was being developed for the NES console. Argonaut Games also developed a prototype of the game for the new Nintendo hardware the SNES.

The game did really look quite rough as can be seen in the gameplay demo that can be seen online (and leaked thanks to Hidden Palace, here’s a backup copy), it seemed very slow and the graphics were shaky. This was because the SNES console was not primarily built with 3D games in mind. NesGlider on the SNES looked like it was not as good as the previous StarGlider game which used quick movements and looked a lot smoother. This is why Jez told Nintendo “This is as good as it’s going to get unless they let us design some hardware to make the SNES better at 3D.”

Nintendo whole-heartedly agreed with Jez and invested one million pounds for the new hardware to be developed. It was called the Super FX chip which was comically codenamed “MARIO” (Mathematical, Argonaut, Rotation & Input/Output) the chip would render 3D polygons that would assist the SNES in rendering 2D effects. The chip would actually be placed on the games cartridge and this allowed the SNES to finally utilize 3D graphics that may look archaic by today’s standards but were groundbreaking for a console at this time.

Argonaut then gave the prototype NesGlider to Nintendo to allow them to work on it, this was a completely collaborative effort as developers from both companies worked on the game. Shigeru Miyamoto from Nintendo was made the producer for the game and he picked his own developers, artists and other people from Nintendo so that NesGlider could become a more “Nintendo” type game.

This is where the prototype did a complete “Barrel Roll”, Miyamoto wanted to give NesGlider a more arcadey feel and wanted there to be more action. This is where the collaboration came in and Argonaut games gave Nintendo the idea that the player would be in a spaceship and fly to other planets instead of the way that the prototype played, which in gameplay seemed to be on Earth fighting tanks and walkers. Miyamoto also did not want the game to be considered boring and so decided that all the main characters would be animals and the reason that he chose a fox was that it was a prominent feature at a nearby shrine.

NesGlider is not a cancelled game but is purely a super early prototype for the highly regarded StarFox. If it was not for Argonaut Games and Jez San this hugely popular franchise would have not come into existence. This kind of collaboration between Nintendo and Argonaut was the main reason for the success this title deserved and with a bit of give and take between developers and publishers amazing games can be created.

Argonaut did also go on to start development on StarFox 2 for the SNES, this was ultimately cancelled though due to the imminent release of the N64. Unfortunately in October 2004 Argonaut had to lay off 100 employees and was put up for sale, this was reported to be because of a lack of deals with publishers which had led to cash flow problems. Then in 2005 the company was put into liquidation and finally dissolved in 2006.

Thanks to Celine for the contribution! 

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Terranigma, AKA Tenchi Sōzō in Japan, is an action RPG developed by Quintet and published by Enix / Nintendo for the Super Nintendo in 1995 / 1996. Unfortunately, the game was never released in the US, but managed to attain cult status in Japan and Europe, regarded by some RPG fans as one of the best role playing games on the system. Before the game was released, gaming magazines published some beta screenshots, in which we can see some interesting differences:

• It was possible to climb towers using claws / bare hands, instead than chains (it’s possible to climb some walls with claws in the final game, but only much later in the game)
• There was some sort of green plant around the HUD
• Different rooms layouts
• In the first tower, the second floor looked like the third floor from the final game

A video from the same beta version was also published in “brute press” (?) VHS Vol.24 July 1995 (【非売品】ブルートプレス Vol.24 1995年7月号). If you notice more differences, let us know in the comments below!

Thanks to Youloute, Pantalytron, Crediar and Celine for the contributions!

Images:

Videos:

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Peaky Blinder is a cancelled sidescrolling platform game that was in development in 1994 by Storm / Sales Curve Interactive (SCi Games) for SNES, MegaDrive / Genesis / Mega CD and GameGear. Our friend Ross Sillifant found a short article about this lost game in Mean Machines Sega Magazine Issue 15, while the title was also in a release list for SNES published in N-Force Magazine Issue 09. Not many info are available, here’s what Mean Machines wrote about the project:

A trashy terror of the raving underworld is making his debut on the Megadrive and Mega-CD pretty soon, courtesy of Storm. Peaky Blinder is apparently a cult hero on the rave scene and features on loads of t-shirts. Such is his popularity (although we’ve never heard of him) that Storm has built him an entire identity and a ritzy story line to accompany him.
Peaky was borne from a fusion of trash, mass media, toxic waste and dumped video carts – sounds pretty disgusting, which of course he is. But an inner Peaky yearns to break out of his foul exterior and live in a suburban house with frilly pink curtains and longs to be kind to animals. With this in mind, our whiffy hero sets out thought his dire world’s underground system and roams around the inner city slums where anything can happen – and usually does.
Peaky’s a bit unique in that he can change his physical form to suit and combat his hostile surroundings (there has to be some compensation for being a mutant scurf-ball from hell we guess). Not seen much on this yet but we’ll bring you the full gen in a future issue.

If you have more info about this lost game, please let us know in the comments below!

Images:

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Demon’s Crest is a 2D action game developed by Capcom and originally published in 1994 for the Super Nintendo. As we can read on Wikipedia, this is the 3° game starring Firebrand (an enemy character from the Ghosts ‘n Goblins series), following Gargoyle’s Quest and Gargoyle’s Quest II. Thanks to Casey Strange we were able to note some minor beta differences in the some screens published in old magazines.

In the screenshot the earth gargoyle has a slightly different sprite. The color is a bit darker but it could be because of the magazine. The enemies in the first beta level were different as seen in this preview video of a sample Demon’s Crest demo for retailers.

There were two Demon’s Crest prototype sample cards on eBay and one japanese beta version was leaked some time ago, you can find the download in this nice anonymous Tumblr, thanks to Casey for the share! This ROM dump of the Japanese sample / beta game looks more like the final game compared to the video, but maybe with the help of our friends at TCRF it would be possible to find some interesting unused stuff hidden in the beta code.

In this beta you start the game with all 5 talismans and four of the crests. This is different compared to the final version. The game stops after the second battle with Arma in stage four and you are greeted with this screen.

Armageddon Potato noted:

After doing some comparisons there is a large chunk of blank data in the retail rom at the very begining (which was also dumped by a SUPERUFO apparently as it’s tagged in the header.) After that the prototype is indentical the final minus the size differences. I wouldn’t expect any changes in the prototype then. […]

I landed up getting a cleaner rom rip. One without the SUPERUFO header which may have been causing the blank space problem(since that makes no sense!) It does appear to have some differences, although they may be possibly minor. Once I get some solid free time I’m going to have to play though both the retail game, and the prototype. I need to know exactly where the game lock you from the later levels in the prototype, and possibly pictures/screenshots of where this happens.

If you notice more beta differences from Demon’s Crest, let us know in the comments below!

Thanks to Casey Strange and MicroChirp for the contributions!

Images:

 

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Super Shadow of the Beast would have been the Super Nintendo port of an old Amiga side-scrolling action game which was originally developed in 1989  by Reflections Interactive and published by Psygnosis. The game since then has been ported to almost every known platform at that time, so why not a Super Nintendo version?

The SNES version was developed by a company called IGS (Information Global Service) and was first reported seen at the summer edition of the 1992 Consumer Electronics Show (CES): in an article on Nintendo Power it was mentioned as a promising upcoming title for the SNES.

The original Shadow of the Beast game and most of its ports to other systems contain many grim, dark looking and bloody details such as bloody spikes, bouncing bloody eyeballs, flying skulls and decapitated enemies. To get approval from Nintendo and thus a license to publish the game on the SNES platform this port of the game had to undergo some serious censoring, mostly graphical adaptions like removal of blood,  redesigned levels and removing or redrawing of enemies.

Some screenshots of this censored SNES port were found at a site called Schnittberichte.com: they did an excellent job in showing the differences between the SNES version VS the Mega Drive one. Apparently all the efforts from IGS to change the game weren’t good enough for Nintendo USA and thus Super Shadow of the Beast was not approved.

Other rumors however state that the mature content cannot have been the only reason why Nintendo dropped the game. It’s possible that Super Shadow of the Beast was just not good enough to be released, with its poor graphics and colorful style it became something too much different from the original game and its dark atmosphere.

However  the SNES version of the game is not entirely lost: a rom of the game was leaked a while ago and it appears to be fully playable (segameplay videos below). I even came across some reproductions of actual SNES cartridges of the game if you prefer to play it directly with your original Super Nintendo console (if you still own one in working condition of course)

Censored SNES version vs SEGA Mega Drive version (Thanks to Schnittberichte.com):

Youtube gameplay video, end sequence & credits & music:

Gameplay

End Sequence & Credits

Soundtrack

Screenshots various:

Nintendo Power August 1992

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The original Pilotwings is an arcade flying simulator developed by Nintendo and published in December 1990 as one of their first games for the Super Nintendo, soon becoming a cult 16 bit classic. Players can use different flying vehicles to complete various missions within a time limit, trying to get high-scores for such tasks as flying through rings and landing on specific parts of the levels.

Pilotwings sold about 1.4 million copies worldwide and Pilotwings 2 for SNES was already in early development before Nintendo decided to cancel it and instead working on a fully 3D sequel on their Nintendo 64.

A few magazines in mid ‘90s mentioned Pilotwings 2 in their news / rumors sections, but Nintendo never officially announced Pilotwings 2 SNES, so it could have been one of those fake speculations with no real evidences. Luckily a few years ago John Szczepaniak (author of The Untold History of Japanese Game Developers books) asked to Dylan Cuthbert (who worked with Argonaut Software and Nintendo on such games as Star Fox and Star Fox 2) about Pilotwings 2 and Dylan confirmed that it was really in development for the Super Nintendo, using the Super FX chip 2. Dylan also mentioned Pilotwings 2 / Super FX 2 prototype in a Reddit AMA:

“I think it was just light experimentation, such as the FX chip based Pilot’s Wings experiment too, just to see what could be done and was quickly re-worked on the prototype N64 hardware. They were already experimenting with motion capture for better animation in 1995 or thereabouts.”

It seems that only an early prototype was created, but we really hope to see something more from it in the future.

Thanks to Celine for the contribution!

Images:

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The 16-bit era is often mentioned as the Golden Age of Gaming. A graced period that gave us hundreds of awesome classic games. It was a time when 2D game development was maturing and lots of ideas from the 8-bit generation would be revamped with new technology and graphics. Some old concepts and gameplay would still do pretty well in 16-bit, others had to be reworked and adapted, while still using similar and already successful mechanics. The latter is the case for Dwagons, our featured game.

Dwagons is a cancelled maze-puzzle game planned to be released on the Super Nintendo and Sega Mega Drive (Genesis). It was in development by UK based company Imagitec Design. As noted in a magazine preview found by the spanish board SEGASaturno, Dwagons shared similar ideas with Pengo (a 1982 arcade game by Sega) and Sokoban (a japanese puzzle game from the same time).

In Pengo the player must navigate through a maze and push ice blocks to defeat every enemy on screen in the shortest time possible. In Sokoban a more strategic approach is needed: the player have to move and fit blocks into specific areas to open the next level. Both had very simple but very successful formula for the 1980’s gaming market.

Dwagons would add a little more depth into the “static-screen block pushing” type of game in “a combination of adventure, strategy and arcade“.  It would feature multiple-themed levels, co-operative multiplayer, multi-layered puzzles and a lot of secrets to uncover, everything wrapped in a cartoon-like medieval fantasy theme.

Developers even thought about other gameplay elements like magic spells, teleporting blocks, rafts to move through water places and trap doors that could make the player backtrack. By that time, gameplay variety was a central idea among gamers and developers and core mechanics for puzzle games were evolving (see Capcom’s Goof Troop for the SNES for example).

We don’t know how close Dwagons was from completion or how much of the game had actually been made, but judging from screenshots and detailed previews it seems it was already in a pretty advanced stage. It even had a whole scenario and a plot of its own. Two dragons (Dwagons) named Snort and Snail set on a quest to retrieve the Magic Talisman of Power and rescue their brother, Snarf, captured by the evil Lord Flame.

Imagitec was responsible for a variety of  arcade game ports released mostly on Atari and Amiga platforms. They worked with other companies such as Atari Corporation, Gremlin Graphics, and Electronic Arts until early 1997 when Imagitec was purchased by Gremlin and renamed Gremlin Interactive Studios.”

Thanks to Marçal Mora Cantallops and Grzegorz for the scans!

Images:

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Satellite Man was a scrapped, albeit completely finished, game for the SNES by Japanese developer T&E Soft. The game was a comedic side-scrolling brawler akin to Final Fight that featured Satellite Man, a superhero who could harness the power of satellites, as he attempted to make his way to the moon to save it from an evil mastermind who claimed it for himself.

Details of the game are scarce as few people have seen it and it is unlikely that any of it remains to this day, but descriptions of the game by its developers reveal that the game had an absurd sense of humor, such as the fact that the titular hero is broke and has to hitch a ride to the moon on a NASA rocket ship.

The game’s bosses reflected this comedic style as well with “Baron Engine”, a man with a v8 engine for a body who chased the player around in a child’s toy car, a bee who carried explosives appropriately named “Dynamite Bee” and “Captain Go”, an Apollo Lunar Module with a dangling body and a face of a man from T&E’s sales department.

Unlike some of the other side-scrolling fighters at the time Satellite Man was single player only and had a button for punches, kicks, grabs and special attacks.  There were three special attacks, two of which were the ability to shoot down a damaging beam from a satellite and the ability to create two shadow versions of yourself to help fight.  These special moves were unlocked by filling a recharging “satellite bar” and the player could use three special attacks in a row if the bar was fully charged. In an attempt to make the game seem more like an American comic book the developers added text bubbles like “BOOM” and “POW” that would pop up when enemies were hit.

Despite being 100% finished after half a year of development the game never saw the light of day.  This was mostly due to the fact that one of the developers handed a copy of the game to company co-founder Eiji Yokoyama and promised him he would laugh every 30 seconds, to which Yokoyama responded by not laughing once throughout the entire game.

The developers also chalk it up to the fact that T&E had recently worked on the SNES version of Rise of the Robots, a critical and financial failure that is lauded as one of the worst fighting games of all time, and didn’t think they could sell another fighting game so soon afterwards. As many other lost SNES games, nothing remain from Satellite Man, only a sketch and a few memories in an interview by John Szczepaniak with former T&E Soft developers, published in “The Untold History of Japanese Game Developers Volume 2” book.

Article by Tristan Avery, thanks to John for the contribution! 

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Oh My Goddess! (Aa! Megami-sama) is a manga and anime series by Kosuke Fujishima, serialized since September 1988 in Japan. It was quite popular at the time and it even got a few tie-in games for NEC PC-98, Sega Dreamcast and Playstation 2.

In the late ’90s a Super Famicom (SNES) Oh My Goddess! game was also announced in Japanese gaming magazines, as reported at the time by some english fansites. It would have been an arcade racing game similar to Mario Kart, set in the series’ NIT’s festival (?). It also seems each kart would have been driven by 2 characters at the same time (?):

• Belldandy & Keiichi
• Urd & Peorth
• Skuld and Banpei-kun RX.
• Megumi & Sora
• Tamiya & Ootaki

Unfortunately it seems they never shown any actual screenshots from the game, only promotional artworks for the characters. Maybe something more is still hidden away in old japanese magazines?

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Ochanoma Densetsu (お茶の間伝説) is a cancelled RPG / board game hybrid that was in development for the Super Famicom (SNES) and would have been published by Information Global Service. There are basically no details about what the game was going to be like, but an advertisement announcing the game was published in an old IGS catalog.

By looking at the two, tiny screenshots featured in this scan it seems it could have been a multiplayer board-RPG, somehow similar to the Dokapon series. Japanese translation says it supported multiplayer mode up to 4 players at the same time, using a SNES multitap.

Maybe one day we could find more images or information still hidden away in other forgotten japanese magazines. Fingers crossed!

Thanks to Celine for the contribution! 

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In the mid ’90s US Gold was developing a SNES action game in which you would play as Zorro, the popular hero created in 1919 by writer Johnston McCulley. Some screenshots were published in gaming magazines at the time, but in the end Zorro for the Super Nintendo was never released. As it often happens with these cancelled 16-bit tie-in projects, we can speculate its gameplay was not much fun or changed idea on the profitability of the Zorro IP.  US Gold halted development on the game and switched resources to something else.

Thanks to Celine for the contribution!

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Dragon’s Heaven (ドラゴンズヘブン) is a cancelled JRPG that was in development by Digitalware in the late ’90s, planned to be published for the Super Famicom and later on the Sega Saturn by Data East (?). We found out about this unreleased RPG thanks to Video Games Densetsu, which found some images on old japanese gaming magazines, such as Sega Saturn Magazine (November 1996).

As you can see from artwork and screenshots, the game was heavily inspired by Dragon Quest, Breath of Fire and Akira Toriyama style. Turn-based combat were shown in a top-down isometric view, featuring at least 5 playable characters at the same time.

As noticed by Matthew Callis on Twitter, it seems the project was originally conceived as a SNES project, as seen in another japanese magazine he found. From what we were able to gather online the game was based on a roleplay novel (where readers could choose how to proceed with the story?) serialized in Maru-Katsu Super Nintendo gaming magazine, possibly as a parody of classic 16 bit JRPG.  Later the series was also used to create a tabletop RPG book series published by Kadokawa Shoten.

We can speculate Digitalware tried to use the popular roleplay novel conceived in Maru-Katsu magazine to create a new roleplay video game, first on the Super Famicom and later on the Sega Saturn. For some reasons, the project was canned on both occasions, and then forgotten by everyone.

If you could read the description in these japanese scans, please let us know if there are more details about this lost project! 

Images:

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Joe VS. The Wall is a cancelled side scrolling action adventure in development / to be published by Ocean Software for the Super Nintendo, around 1992. It was listed by Nintendo Power (issue 34, March 1992) as one of the games shown by Ocean at the ‘92 Winter CES, with just a few details:

“Ocean was busy with several development projects: Radio Flyer, based on the upcoming movie, and Joe Vs. The Wall and Push Over— two unique puzzlers.”

Not much more was known about the game before its disappearance, but a single screenshot and its title screen were found by Video Game History Foundation on the Electronic Gaming Monthly 1992 Preview Guide:

“This side-scrolling action adventure title includes Mode 7 scaling and rotation. Amazing graphic and animation will thrill you, as you character with his hammer must make his way through a number of platforms and difficult situations.”

The game graphic has some kind of “Amiga feel“, maybe this lost SNES game was a port of another Amiga title? 

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